‘Buscamos una voz que nos reciba’. Recent Chilean narrative: complicit readings
DOI:
https://doi.org/10.3989/arbor.2014.769n5001Keywords:
Recent Chilean narrative, reception, accomplice reading, collective memory, personal memory, politics, humour, ironyAbstract
This research explores certain suggested ways of reading recent Chilean narratives, focusing particularly on a corpus of works by four authors: Alvaro Bisama, Alejandra Costamagna, María José Viera-Gallo and Alejandro Zambra. It is proposed that from reception it is possible to specify certain ways of reading that manifest themselves in the degree of complicity achieved between the reader and the works, where this is defined by the reader’s cooperation or participation in the act of reading. The reader is drawn into the work by following the signs given in it, shifting from a critical to emotional reading by updating the stories through a close link between writer, the work and the reader. Thus the works are always read in a complicit way, but from different viewpoints and on different levels. Taking these nuances into account we aim to revise three ways of complicit reading: a) through appropriation of the past, b) politically and c) dynamically.
Downloads
References
Areco, M. (2011). Cartografía de la novela chilena. Anales de literatura chilena, 15, pp. 179-186.
Bisama, Á. (2010). Estrellas muertas. Santiago: Alfaguara.
Bisama, Á. (2012). Ruido. Santiago: Alfaguara.
Carreño, R. (2009). Memorias del nuevo siglo: jóvenes, trabajadores y artistas en la novela chilena reciente. Santiago: Editorial Cuarto Propio.
Costamagna, A. (1998). Ciudadano en retiro. Santiago: Planeta.
Costamagna, A. (2002). Cansado ya el sol. Santiago: Planeta.
Costamagna, A. (2007). Dile que no estoy. Santiago: Planeta.
Costamagna, A. (2011). Presentación de Formas de volver a casa, de Alejandro Zambra. Taller de Letras, 49, pp. 279-280.
Drucaroff, E. (2011). Los prisioneros de la torre. Política, relatos y jóvenes en la postdictadura. Buenos Aires: Emecé.
Hernández Guerrero, J. A. (2009). El humor: un procedimiento creativo y recreativo. En Lada Ferreras, U. y Arias-Cachero Cabal, A. (eds.), Literatura y humor. Estudios teórico-críticos. Oviedo: Universidad de Oviedo, pp. 43-53.
Hutcheon, L. (1992). Ironía, sátira, parodia. Una aproximación pragmática a la ironía. De la ironía a lo grotesco. México: Universidad Autónoma Metropolitana Iztapalopa.
Ingarden, R. (2005). La comprehensión de la obra de arte literaria. México: Universidad Iberomaericana.
Jara, P. (2011). Desde el planeta de los simios solo se ven estrellas muertas (Presentación de Estrellas muertas, de Álvaro Bisama). Taller de Letras, 49, pp. 269-270.
Steiner, G. (2007). Los Logócratas. Madrid: Siruela.
Viera Gallo, M. J. (2006). Verano robado. Santiago: Alfaguara.
Viera Gallo, M. J. (2011). Memory Motel. Santiago: Tajamar Editores.
Zambra, A. (2006). Bonsái. Barcelona: Anagrama.
Zambra, A. (2007). La vida privada de los árboles. Barcelona: Anagrama.
Zambra, A. (2011). Formas de volver a casa. Barcelona: Anagrama.
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Consejo Superior de Investigaciones Científicas (CSIC)

This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the printed and online versions of this Journal are the property of Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a “Creative Commons Attribution 4.0 International” (CC BY 4.0) License. You may read the basic information and the legal text of the license. The indication of the CC BY 4.0 License must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the published by the Editor, is not allowed.