Aleixandre’s and Cernuda’s shadows at Francisco Umbral’s poetry

Authors

  • Marina Casado Hernández Universidad Complutense de Madrid

DOI:

https://doi.org/10.3989/arbor.2015.774n4001

Keywords:

poetry, influence, metaphors, pessimism, sea, innocence, love, death

Abstract


Francisco Umbral began late as a poet, not publishing his first poetic works until 1981. We can particularly see the influence of two members of Generation of ’27 in his poetry: Vicente Aleixandre and Luis Cernuda, who represent the more formal aspect of their generation, having eschewed the more popular facet. They are characterised by narrative poetry, which is also a feature of Umbral’s poetry. The most notable influence of Aleixandre is the constant use of metaphors. The perspective of “chronic pessimism”, the spleen that we find in his verses, are an influence of Cernuda. This study examines the link between an Aleixandre’s poem, “Hija de la mar”, and a Umbral’s poem, “Herramienta del mar”, and it relates both poems with the characters who live in Cernuda’s poetry and prose fiction. We can also find a link between love and death in the three poets.

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References

Aleixandre, V. (2005). Poesía Completa (ed. A. Duque Amusco). Madrid: Visor.

Caballé, A. (2004). Francisco Umbral. El frío de una vida. Madrid: Espasa Calpe.

Cernuda, L. (2002). Prosa II (ed. D. Harris y L. Maristany). Madrid: Siruela.

Cernuda, L. (2005). Poesía Completa (ed. D. Harris, D. y L. Maristany). Madrid: Siruela.

Umbral, F. (1994). Las palabras de la tribu. Barcelona: Planeta.

Umbral, F. (2009). Obra poética 1981-2001 (ed. M. García-Posada). Barcelona: Seix Barral.

Published

2015-08-30

How to Cite

Casado Hernández, M. (2015). Aleixandre’s and Cernuda’s shadows at Francisco Umbral’s poetry. Arbor, 191(774), a246. https://doi.org/10.3989/arbor.2015.774n4001

Issue

Section

Articles