Colombine and the art criticism (the beauty concept)

Authors

  • María Victoria Gómez Alfeo Universidad Complutense de Madrid
  • Fernando García Rodríguez Universidad Complutense de Madrid

DOI:

https://doi.org/10.3989/arbor.2010.extrajunion3016

Keywords:

Colombine, “Ut pictura poesis”, art critic, beauty, aesthetics, Art, the Greek one, Defense of the artistic patrimony

Abstract


The relationship of Colombine with the art and with the artists it is continuous in their gatherings and in their trips, in those that the work, and the artist looks for, as deep manifestation of the culture that is about knowing. The defense of the Greek one registers in the campaign of the journalism to save the squares of San José’s chapel. The valuations and descriptions of the Italian and flamenco art, their trip notes, project us to the relationship, always protected, between painters and poets. For everything it is attracted by us to it knowing their position before the work, that is to say, their concept of beauty that we have analyzed in their journalistic critics and in their books of trips.

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References

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Published

2010-06-30

How to Cite

Gómez Alfeo, M. V., & García Rodríguez, F. (2010). Colombine and the art criticism (the beauty concept). Arbor, 186(Extra), 139–147. https://doi.org/10.3989/arbor.2010.extrajunion3016

Issue

Section

Articles