Staging presence: O. Welles y F. Kafka, El Proceso
DOI:
https://doi.org/10.3989/arbor.2011.748n2018Keywords:
Semiotics, presence, film adaptation, Welles, KafkaAbstract
Semiotics of presence has changed the ways semiotics considers art works and culture documents. This paper explores its possibilities and limits through an analysis of the O. Welles’ film The Trial, based on the novel by F. Kafka.
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