Escenificar la presencia: O. Welles y F. Kafka, <i>El Proceso</i>

Manuel González de Ávila

doi:10.3989/arbor.2011.748n2018

Staging presence: O. Welles y F. Kafka, El Proceso

Authors

Manuel González de Ávila Universidad de Salamanca. Dpto. Lengua española

DOI:

https://doi.org/10.3989/arbor.2011.748n2018

Keywords:

Semiotics, presence, film adaptation, Welles, Kafka

Abstract

Semiotics of presence has changed the ways semiotics considers art works and culture documents. This paper explores its possibilities and limits through an analysis of the O. Welles’ film The Trial, based on the novel by F. Kafka.

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References

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Published

2011-04-30

How to Cite

González de Ávila, M. (2011). Staging presence: O. Welles y F. Kafka, El Proceso. Arbor, 187(748), 401–409. https://doi.org/10.3989/arbor.2011.748n2018

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Issue

Vol. 187 No. 748 (2011)

Section

Articles

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