Subversive discourses in silent films

Authors

  • M.ª del Carmen Rodríguez Fernández Universidad de Oviedo

DOI:

https://doi.org/10.3989/arbor.2012.758n6002

Keywords:

Silent film, discourse, subversion, gender, power, censorship

Abstract


“Subversive discourses in silent films” aims to analyse the gender transgression that emerges in certain movies of the silent period. These being silent films, their meaning can only be understood from the content of the images. Directors of the silent period were aware of the importance of images and of their power to put across their views to spectators. The field of filmmaking was new but it was not ungendered, and women filmmakers knew that their films were the vehicle to make spectators aware of their feminist positions. Le matelas alcoolique, La souriante Mme. Beudet and Dora Films of America Shorts are examples of this privilege since, although they belong to two periods of silent film history and have different aims, the directors and the films selected are good examples to be revisited with a gender perspective.

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References

Abel, Richard (1994): The Ciné Goes to Town. French Cinema (1896-1914), Berkeley, CA, University of California Press.

Bruno, Giuliana (1993): Streetwalking on a Ruined Map,Princeton, Princeton University Press.

McMahan, Alison (2002): Alice Guy Blaché (trad. de Marta Heras), Madrid, Plot Ediciones, 2006.

Mayne, Judith (2002): “Women in the Avant Garde”, en Experimental Cinema. The Film Reader, eds. Winston Dixon Wheeler y Gwendolyn Audrey Foster, London & New York, Routledge, 81-113.

Mulvey, Laura (1989): Visual and Other Pleasures, New York, Palgrave. PMCid:335226

Petrolle, Jean & Wright Wexman, Virginia (2005):Women and Experimental Filmmaking, Illinois, Illinois University Press.

Turim, Maureen (2005): “The Violence of Desire in Avant Garde Films”, en Women and Experimental Filmmaking, eds. Jean Petrolle & Virginia Wright Wexman, Illinois, Illinois University Press, 71-90.

Ward Mahar, Karen (2006): Women Filmmakers in Early Hollywood, Baltimore, The John Hopkins University Press.

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Published

2012-12-30

How to Cite

Rodríguez Fernández, M. del C. (2012). Subversive discourses in silent films. Arbor, 188(758), 1017–1027. https://doi.org/10.3989/arbor.2012.758n6002

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