Estudios de sonido: otredades perceptivas para explorar nuevos mundos

Autores/as

DOI:

https://doi.org/10.3989/arbor.2023.810001

Descargas

Los datos de descargas todavía no están disponibles.

Citas

Aitken Hugh G. J. (2014). Syntony and Spark - The Origins of Radio, Nueva Jersey: Princeton University Press. https://doi.org/10.2307/j.ctt7zv7w0

Bijker, Wiebe y Bijsterveld, Karin (2022). In Memoriam - Trevor Pinch (1952-2021). EASST Review, 41 (1).

Bijsterveld, Karin y Pinch, Trevor (2004). Sound Studies: New Technologies and Music (special issue). Social Studies of Science, 34 (5), 635-817. https://doi.org/10.1177/0306312704047615

Birdsall, Carolyn (2012). Nazi soundscapes: Sound, tecnhnology and Urban Space in Germany, 1933-1945, Amsterdam: Amsterdam University Press. https://doi.org/10.26530/OAPEN_424532

Burdick, Alan (2001). Now Hear This: Listening Back on a Century of Sound. Harper's Magazine, July, 70-77.

Collins, Harry M. y Pinch, Trevor J. (1993). The Golem: What Everyone Should Know About Science. Cambridge: Cambridge University Press.

Collins, Harry M. y Pinch, Trevor J. (2005). Dr. Golem: how to think about medicine. Chicago: University of Chicago Press. https://doi.org/10.7208/chicago/9780226113692.001.0001

Devine, Kyle (2013). Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction, Cambridge: Cambridge University Press. https://doi.org/10.1017/S0261143013000032

Corbin, Alain (1998). Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside, New York: Columbia University Press.

Fernández Liria, Carlos y Alba Rico, Santiago (1989). Volver a pensar. Madrid: Akal.

Itoh, Kosuke et al. (2022). Cerebral cortical processing time is elongated in human brain evolution. Scientific Reports, Nature Research, 12, 1103. https://doi.org/10.1038/s41598-022-05053-w https::35058509 PMCid:PMC8776799

Jackson, Daniel M. (2003). Sonic Branding: An Introduction. New York: Palgrave Macmillan. https://doi.org/10.1057/9780230503267

Lynch, Michael E. (1990). The externalized retina: Selection and mathematization in the visual documentation of objects in the life science, en: Michael E. Lynch y Steve Woolgar (eds.), Representation in Scientific Practice. Cambridge: MIT Press.

Lynch, Michael E. y Woolgar, Steve (1990). Representation in Scientific Practice. Cambridge: MIT Press.

Magaudda, Paolo (2013). The Broken Boundaries between Science and Technology Studies and Cultural Sociology: Introduction to an Interview with Trevor Pinch. Cultural Sociology, 8(1), 63-76. https://journals.sagepub.com/doi/abs/10.1177/1749975513484604 https://doi.org/10.1177/1749975513484604

Marx, Karl (1858). Grundrisse der Kritik der politischen Ökonomie, 1857-1858, en: P. Scarón, M. Murmis y J. Aricó (trad.). (2013). Elementos fundamentales para la crítica de la economía política, Madrid: Siglo XXI.

Mitchell, Chris J. (2014). A Concise History of the Origins of Cinema.

Mitchell, Tamara L. (2023). Listening in/to Literature. Latin American Research Review, 85, 215-225. https://doi.org/10.1017/lar.2022.91

Morton, David (2004). Sound Recording: The Life Story of a Technology, Westport: Greenwood Press.

Mol, Annemarie (2002). The Body Multiple: Ontology in Medical Practice. Durham, NC/London: Duke University Press. https://doi.org/10.1215/9780822384151

Pinch, Trevor y Trocco, Frank (2002). Analog days: the invention and impact of the Moog synthesizer. Cambridge, MA: Harvard University Press.

Pinch, Trevor y Bijsterveld, Karin (2012). The Oxford Handbook of Sound Studies. Oxford: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780195388947.001.0001

Schulze, Holger (2019). Sound as Theory 1863-2014: From Hermann von Helmholtz to Salomé Voegelin. En Michael Bull (ed.), The Routledge Companion to Sound Studies, New York: Routledge. https://doi.org/10.4324/9781315722191-2

Star, Susan Leigh y Griesemer, James R. (1989). Institutional ecology, 'Translations', and Boundary objects: amateurs and professionals on Berkeley's museum of vertrebate zoologie. Social Studies of Science, 19(3), 387-420. https://doi.org/10.1177/030631289019003001

Sterne, Jonathan (2003). The audible past: Cultural Origins of Sound reproduction, Durham: Duke University Press. https://doi.org/10.1515/9780822384250

Wandell, Brian A., Dumoulin, Serge O. Y Brewer, Alyssa A. (2009). Visual Cortex in Humans, Encyclopedia of neuroscience, 10, 251-257. https://doi.org/10.1016/B978-008045046-9.00241-2

William, Dylan (2006). The half-second delay: What follows? Pedagogy Culture and Society, 14 (1), 71-81. https://doi.org/10.1080/14681360500487470

Publicado

2023-12-30

Cómo citar

Revuelta Sanz, P., & Miranda Suárez, M. J. (2023). Estudios de sonido: otredades perceptivas para explorar nuevos mundos. Arbor, 199(810), a721. https://doi.org/10.3989/arbor.2023.810001

Número

Sección

Presentación

Datos de los fondos

Ministerio de Ciencia e Innovación
Números de la subvención PID2021-123454NB-C41

Artículos más leídos del mismo autor/a