Vol. 187 No. 748 (2011)

Literature and Cinema or the “Dreamed Cinema”. M. T. García-Abad García (Coord.)

DOI: https://doi.org/10.3989/arbor.2011.i748

Published: 2011-04-30

Articles

[es] Presentation. Literature and Cinema or the “Dreamed Cinema”

M. Teresa García-Abad García

205-210
- PDF
[es] Target: García Lorca. New cinematographic and television inquisitions on poet’s life, work and death

Jorge Marí

211-220
- PDF
[es] Staging authenticity. Andalucía, un siglo de fascinación, by Basilio Martin Patino, and “historical materialism” in Walter Benjamin

Óscar Cornago Bernal

223-236
- PDF
[es] Cinema, literature and myth: Don Quijote in cinema, beyond the adaptation

Pedro Javier Pardo García

237-246
- PDF
[es] Myth, identity and poestética in Carmen la de Ronda (1959), and idea of Alfonso Sastre

M.ª Teresa García-Abad García

247-258
- PDF
[es] Don Juan’s myth in cinema: From Molière to Jacques Weber

Carmen Becerra Suárez

259-267
- PDF
[es] “The hunt of the man”: recreation of a legendary, fictional and historical motive in Carlos Saura’s La caza

Felipe Aparicio Nevado

269-277
- PDF
[en] El príncipe destronado (Miguel Delibes, 1973)/La guerra de papá (Antonio Mercero, 1977), and third way spanish cinema

Sally Faulkner

279-285
- PDF
[es] Jardiel Poncela’s letter about the cinematographic version of Las inquietudes de Shanti Andia, by Arturo Ruiz Castillo

Javier Herrera

287-303
- PDF
[es] Genre determinations in the adaptative processes

José Antonio Pérez Bowie

305-315
- PDF
[es] Miguel Mihura’s Ninnette returns to cinema

Juan A. Ríos Carratalá

317-324
- PDF
[es] The wolf of strawberry and the forest of chocolate. Senel Paz and his cinematographic variations

Jean Claude Seguin

325-335
- PDF
[en] Flor de otoño: example of play adapted to film before reaching the stage

Phyllis Zatlin

337-343
- PDF
[es] Beyond cinefilia and mitonamía. The Spanish writers before the cinema

Carmen Peña Ardid

345-370
- PDF
[es] From Her to He: faces and masks in Mercedes Pinto’s novel (1926) and Luis Buñuel’s film (1952)

Françoise Heitz

371-381
- PDF
[es] La flor de mi secreto (Almodóvar, 1995): Literature as seduction

Cristina Martínez-Carazo

383-390
- PDF
[es] The Beauty and the Beast in Guillermo del Toro’s labyrinthine trip: El espinazo del diablo (2001) y El Laberinto del Fauno (2006)

Brígida M. Pastor

391-400
- PDF
[es] Staging presence: O. Welles y F. Kafka, El Proceso

Manuel González de Ávila

401-409
- PDF
[es] Roman Jakobson’s cinematographic thinking

Alfonso Puyal

411-420
- PDF
[es] The evil creates fairy tales: analysis of Guillermo del Toro’s film The Labyrinth Of The Faun

Julia María Labrador Ben

421-428
- PDF
[es] 3-D audience: the future of the film world?

Vicente Díaz Gandasegui

429-438
- PDF
[es] Subject and account in Eyes Wide Shut

Marcos Cánovas Méndez

439-445
- PDF

About the Authors

[es] About the autors

Equipo Editorial

447-451
- PDF

[es] En nuestra portada...

Equipo Editorial
- PDF

Vol. 187 No. 748 (2011)

Articles

[es] Presentation. Literature and Cinema or the “Dreamed Cinema”

[es] Target: García Lorca. New cinematographic and television inquisitions on poet’s life, work and death

[es] Staging authenticity. Andalucía, un siglo de fascinación, by Basilio Martin Patino, and “historical materialism” in Walter Benjamin

[es] Cinema, literature and myth: Don Quijote in cinema, beyond the adaptation

[es] Myth, identity and poestética in Carmen la de Ronda (1959), and idea of Alfonso Sastre

[es] Don Juan’s myth in cinema: From Molière to Jacques Weber

[es] “The hunt of the man”: recreation of a legendary, fictional and historical motive in Carlos Saura’s La caza

[en] El príncipe destronado (Miguel Delibes, 1973)/La guerra de papá (Antonio Mercero, 1977), and third way spanish cinema

[es] Jardiel Poncela’s letter about the cinematographic version of Las inquietudes de Shanti Andia, by Arturo Ruiz Castillo

[es] Genre determinations in the adaptative processes

[es] Miguel Mihura’s Ninnette returns to cinema

[es] The wolf of strawberry and the forest of chocolate. Senel Paz and his cinematographic variations

[en] Flor de otoño: example of play adapted to film before reaching the stage

[es] Beyond cinefilia and mitonamía. The Spanish writers before the cinema

[es] From Her to He: faces and masks in Mercedes Pinto’s novel (1926) and Luis Buñuel’s film (1952)

[es] La flor de mi secreto (Almodóvar, 1995): Literature as seduction

[es] The Beauty and the Beast in Guillermo del Toro’s labyrinthine trip: El espinazo del diablo (2001) y El Laberinto del Fauno (2006)

[es] Staging presence: O. Welles y F. Kafka, El Proceso

[es] Roman Jakobson’s cinematographic thinking

[es] The evil creates fairy tales: analysis of Guillermo del Toro’s film The Labyrinth Of The Faun

[es] 3-D audience: the future of the film world?

[es] Subject and account in Eyes Wide Shut

About the Authors

[es] About the autors

[es] En nuestra portada...

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